- #I HAVE A VEIN IN THE MIDDLE OF MY FOREHEAD YAHOO MOVIE#
- #I HAVE A VEIN IN THE MIDDLE OF MY FOREHEAD YAHOO TV#
In that critical moment, a mother’s actions define her in the world.
In times of crisis, one parenting advice chestnut is to remember to put the oxygen mask over your nose and mouth first, and then assist your kids.
#I HAVE A VEIN IN THE MIDDLE OF MY FOREHEAD YAHOO TV#
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#I HAVE A VEIN IN THE MIDDLE OF MY FOREHEAD YAHOO MOVIE#
Gyllenhaal, herself a mom of two with husband Peter Sarsgaard (who co-stars in her film’s adulterous subplot), had become tired of sharing her ideas as an actress on set with a “spoonful of sugar.” Appearing at the Museum of Modern Art’s annual The Contenders series last month, she said, “This character is so fucked up and I really relate to her….I felt a shock of feeling seen.” She asked herself, what if we broke the agreement to remain silent, what if we said it out loud without the sugar-coating? “A movie theater is both a communal and personal thing at the same time.” Actress Maggie Gyllenhaal, in selecting the slim, interior, radical Elena Ferrante novel as her first screenplay to adapt and direct, has boldly taken advantage of new opportunities for women behind the camera to reframe our conception of motherhood.
These are movies in which, as Olivia Colman’s protagonist reveals in “ The Lost Daughter,” parenting is a “crushing responsibility.” For her character, there is ecstatic relief with every reprieve from parenting one’s children, despite the gnawing guilt. In many of 2021’s screenplay contenders, motherhood is laid bare in all of its thorny reality.
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